Through performance, film, poetry, objects, and imagery, David Correa’s (b. 1999, Miami, FL) multi-faceted art practice paints surreal and elaborate narratives exploring and satirizing modern man’s existential relationship to the tool and the self. Contextualized through collective aspects of Latin American situationism, Correa further informs these narratives by referencing political theory, mythology, art history, and philosophy, creating networks of ideologies which depict the Latin laborer as an absurdist figure.